AFTERMARS

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BAND RECORDINGS
The Conversation (live)
aroseisarose
A Rose is a Rose (live)
After Mars
On The Wrong Side (live)
SOLO RECORDINGS (seb only)
Frustration video
After Mars video
Les recifs  
Get a Life Art Sucks  
Come to the Shepherd Boy video
Don't Go  
I'm Heavy Not Light video
Sweet Little Taurus* video

To DOWNLOAD a song, right-click (PC) or ctrl-click (Mac) on "listen" links above, and select the option to download the linked file...

*lyrics by Barbara Wille

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ABOUT

AFTERMARS is Sébastien Brault (voice and keys), Thomas Jocher (trumpet) and Tom Früchtl (guitars).
Live shows usually feature visuals by Beat Brogle.

Aftermars portrait: Sebastien Brault & Thomas Jocher

AFTERMARS' love/hate relationship with popular music is more schizophrenic than cynical: the songs steer from romantic Synth-Pop to pounding Electro-Noise, through hints of Metal and Acid-Jazz, without ever loosing a genuine sense of urgency.
Singer Sébastien Brault croons and screams, while using the presets of a toy-keyboard to sail from genre to genre. Trumpetist Thomas Jocher comments from above like a mocking seagull, through waves of Metal power-chords by guitarist Tom Früchtl.

AFTERMARS plays synth-pop-punk-pseudo-post-industrial-neo-hardcore-noise-country-no-no-wave-low-fi-folk music.

Sébastien Brault sings and plays a keyboard Yamaha PortaSound PSS-570 through a bass amp and a guitar amp.

Sébastien Brault previously founded POP MODEL (2007-2008), and FLUX INFORMATION SCIENCES (In New York, 1997-2001, with Tristan Bechet).
Flux Information Sciences' 4th album, PRIVATE/PUBLIC, produced by Michael Gira, is available on YOUNG GOD RECORDS.

PortaSound PSS-570

Thomas Jocher plays the trumpet and may sing sometimes.

thomas trompet

Tom Früchtl plays Guitar

Tom

 

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SHOWS

NEXT SHOW:
28.05.2010
Friday at 9 PM

GALERIE GILLA LÖRCHER
Pohlstraße 73
10785 Berlin
view map
PAST SHOWS:
aftermars live concert at Sudhaus, 06.03.2010 12.05.2010
Wednesday at 10 PM

BABETTE
Bar in der Karl-Marx-Allee 36
10178 Berlin
view map
aftermars live concert at Sudhaus, 06.03.2010 19.03.2010
Friday at 10 PM

RoterSalon, ARGE Kultur
Josef-Preis-Allee 16
SALZBURG

frustration <-live clip
aftermars live concert at Sudhaus, 06.03.2010 12.03.2010
Friday at 10 PM

Gallerie Zeitzone, AdalbertStr. 79 Kreuzberg Berlin

as part of NERDART#1

RSVP
aftermars live concert at Sudhaus, 06.03.2010 06.03.2010
Saturday at Sudhaus, Werbellinstr. 50, just off the U8 at Boddinstr. in Neukölln
with Electric Set and Macaco Mau
aftermars live concert at Dot Club Berlin 05.12.2009
Samstag, 5. Dezember 2009 23:00 Uferstr.6 Fabrikgebäude 2. Etage Berlin-Wedding (U8 Pankstr.)

birthday+house warming party+concert RSVP

july 19th 2009
FONTANA'S BAR, NYC
http://fontanasnyc.com/
11PM
with tara de long
& sondos

  july 12th at CAKE SHOP
http://cake-shop.com/
9PM
with asalia snail
aftermars live concert at Dot Club Berlin 26.06.2009
Dot Club, Falckensteinstraße 47
Berlin, Kreuzberg
10:30PM
U1 Schlesisches Tor view map

aftermars live concert at Juno Lounge Berlin 18.06.2009
Juno lounge, Josettihöfe
Berlin Mitte.
10PM - 2 Euros.
aftermars concert at normal bias 16.05.2009
Normal Bias, Brunnenstr. 39
Berlin Mitte
aftermars concert at zeit zone 01.04.2009
Galerie Ugarte @ ZeitZone, Adalberstr. 82
Berlin Kreuzberg
  16.03.2009
Moritz' Party, Schwedter Str. 5
Berlin Prenzlauerberg
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LINKS

AFTERMARS on FaceBook
Share

seb's youtube chanel (with AFTERMARS videos)

POP MODEL on myspace

Flux Information Sciences on myspace | wikipedia | facebook

Thomas Jocher: thomasjocher.com

Beat Brogle: onewordmovie.com

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Contact: seb@webtrans1.com

Blog

June 12 2010
True Face!

April 27 2010
Mensworld again

April 10 2010
One more song to sing

April 08 2010
FROM AFTERMARS * LIVE * IN SALZBURG ! (19.03.2010)
With the FABULOUS Thomas Jocher on Trompet and the AWESOME Tom Früchtl on Guitar
The Conversation
A Rose is a Rose
On The Wrong Side

April 06 2010
I like this epic version of frustration.

April 02 2010
So I also recorded this, called Frontin', and now I think I should say what I really like about these last home recordings:
They're recorded with an ambiant mic. The amps and the keyboard are set to very low volume. Originallly, the low volume was so that I would not be interrupted by the neighboors complaining. So now i play so low, I mean a bunch of mice fighting would make as much noise as me. The cool thing is that you can hear my fingers hitting the keyboard keys, just as much as you can hear the sound from the amps. And all that extra noise (fingers hitting keys, click on buttons, feet beating the tempo on the floor) is like the sliding noise of fingers you often hear on recordings of accoustic guitar or like any extra noise present in accoustic music, all the way to say open air percussions on the beach at the sunset - WELL - basically I mean that this noise joins together the music and the notion of reality. This music is recorded in real space and time. That's what I like in the sound of these recordings. Tell me what YOU think.

oh and here's a nice band photo from our trip to Salzburg.

March 31 2010
On with the perfect chamber music quest: I'm heavy not light Here you can hear me breathe and you can almost hear my heartbeat (almost)

Aftermas live show in Salzburg, on March 12. Video extract: Frustration
Thomas Jocher Trumpet & Tom Früchtl Guitar. Shut up, Mozart

March 30 2010
I recorded a song, that would have gone on for ever if it hadn't been interrupted by my neighboor ringing the Bell -again- to complain about the noise. And it's recorded! So here's a piece of real life for you!
It's called Ah, la vie d'artiste.

And here's one more song to sing.

March 29 2010
I bought this new mic and started recording myself with it. It's an ambiant mic so it's just one take/one track.
It's like chamber music, but.

I recorded Loss.

on top of the main track I added a melody at the very end, played the melody on a keyboard Bruno Dorn just gave me. It's an "eko" "boomerang". !!! I love it.
At the very end of the track you can hear my neighboor furiously banging at my door.

Also recorded On The Wrong Side.

I'm trying to find the perfect position for the mic, the amps, and myself, so as to record the most awesome chamber music ever.
Stay tuned for news of PROGRESS.